Beautifully presented show that opened last night. I particulary liked the gloss/spray paint pieces on wood and responded to the video works presented on black backgrounds. Worth seeing.
Richard Prince enlarges Instagram imagery for his latest show in NYC.
I managed to catch the last day of ex-Camberwell student Alexandra Drawbridge’s first solo show at the Schwarzt Gallery. A great discovery (both artist and gallery). I really responded to the way she appropriated images from crime drama and changed their context.
From the press release:
“Drawbridge’s large digital prints of cropped female faces are at once alluring and unsettling. In this new work she has enlarged small sections of imagery from popular crime drama, transforming them into works of art, which navigate a space between intimidation and seduction.
These are powerful images where passive gestures exert a dominating presence. They are erotic but also alarming. Working on many levels to pull the viewer into a relationship, yet simultaneously push them away. They become vast human landscapes demanding engagement, yet the eyes are detached and uncommunicative. As the viewer approaches the printed surface disperses and moves away from the figurative to a more minimal intangible form.
Despite the contemporary context these works suggest classical references, such as Bernini’s sculptural epic ‘Ecstasy of St Teresa’ as well as exploring questions of fantasy and fetishism in relation to visual representation.”
I showed a test version of Do You Remember When We Met? at the Chelsea Salon on Friday.
It was a great opportunity to devise and set up a piece within about 48 hrs of being chosen to show.
What I learned:
1) Get their early. I didn’t want to be included in the showreel (largely ignored on the launch night) so wanted to have my own space.
2) Talk to the curator, security guard and buildings person. I needed all of their help at one point or another.
3) Negotiate space in a friendly way
4) Go the extra mile – I went to the space on Saturday to switch everything on / turn it all off. Even if someone was there to do it – it makes a difference if you’re seen putting yourself out a bit.
Felt that the work wasn’t as immediate as it could be due to the viewer having to use a mouse and keyboard to interact with the piece
I feel unsure as to what is gained by displaying the piece in the context of a gallery, as opposed to it living on the web.