I watched Michael Robinson’s ‘The Dark, Krystle’ at this years London Film Festival. Appropriated footage from ‘Dynasty’ of Krystle Carrington and Alexis Colby remixes them into a tragic, hysterical drama. Plus lots of Joan Collins drinking. My highlight of the festival along with ‘Blind’
Exploring supercuts and the influence of them on my current projects.
Kogonada’s supercuts isolate and juxtapose elements of a filmmaker’s style, whether it’s the one-point-perspective compositions that pepper Stanley Kubrick’s films, passageway portals in Ozu, or Terrence Malick’s respective handling of fire and water.